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About Me Member General Fiction Writer ShibaNaganori24/Male/United States Recent Activity Deviant for 1 Year
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Meh

Wed Jun 24, 2009, 6:52 AM
  • Mood: Speechless
  • Drinking: Tea
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The opposite of good review writing.

"In 2007's "Transformers," director Michael Bay (who is also responsible for "Pearl Harbor" and "Armageddon") brought the Hasbro toy line to the big screen in the perfect marriage of plastic, mass-production subject and plastic, mass-production director. "Transformers: Revenge of the Fallen" brings Bay, his armada of effects technicians and his cast back to continue the Earth-bound battle between two rival groups of alien robots who can disguise themselves as vehicles so as to better hide among us. Based on a mythology created to rev up the promotion and profits between a toy line and an animated show during the '80s, "Transformers" was big and dumb and loud and fake, full of slapdash storytelling and special effects that leapt off the screen and clawed at your retinas in the hope of distracting you from just how badly made the movie was. "Transformers: Revenge of the Fallen" is not as bad as "Transformers"; somehow, in the face of long odds, it is actually worse."

Oh boy! A chance for someone to point out that Michael Bay can't make a movie without a huge budget for special effects, or that this movie has flaws!

"Where the first film was desperate, this one is desperate and sad. Where the first film sent mixed messages about ethnic and racial groups and women, this one is overtly racist and sexist. Where the first "Transformers" was clumsy, "Revenge of the Fallen" is paralyzed with its own stupidity. I literally could not stop laughing out loud during "Transformers: Revenge of the Fallen" -- not at the moments intended as comedy, which are not funny in any way, but rather at Bay's superhuman ability to look at his own film and not see that it's nothing but broken bits, desperate distractions and empty explosions. (I can imagine Bay braying "Wonderful! Cut! Print!" after every scene regardless of its quality, Ed Wood with hundreds of millions of dollars, not just hundreds.) Screenwriters Roberto Orci and Alex Kurtzman wrote this summer's fun, smart, breezy "Star Trek"; alongside Ehren Kruger, they're credited with the screenplay for "Revenge of the Fallen." How can one of these things be so good and one of them be so bad? Look to the director's chair, and who makes the ultimate decision about what goes onscreen and why, and you'll get that Bay has no interest in character or story or real excitement or any aspect of moviemaking that's built on anything more than the retinal equivalent of a sugar rush."

Agreed, the first movie was bad, but then again you really don't make examples of what you found to be funny that wasn't supposed to be funny. I find that the fact that you can't do it shows that you just write any kind of crap you want. But then, this review isn't over, maybe you'll save yourself by pointing out what you don't like about the story, since it's pretty obvious that you don't like the special effects...or the premise.

"And, to deal with the token objections of the film's defenders, I have an inner child; he's just not an inner idiot. And if how much money something made had any correlation to how good it actually is, doctors would recommend you get more cocaine instead of more leafy greens. And no, I can't shut my brain off and have fun, anymore than I could rip out my tongue and enjoy a meal, because my brain is where I feel fun. And I could talk about the plot and characters and performances of "Revenge of the Fallen," but why should I care about those things when it's so clear that Bay doesn't? Many will walk out of "Revenge" praising the action and the special effects, but they'll be indicating that they don't know what they're talking about. The action is badly cut, confusing and incoherent, with no sense of space or distance or dynamism aside from close-ups of brutal blows and long shots of explosions. The effects are either too swift to be truly seen (Wasn't one of the pleasures of the Transformers toys slllllllowly ... clicking ... each change into place?) or so phony you can't bear to look (like when walking big-rig Optimus Prime, a giant multiton mass of metal, moves and fights with the lithe lightness of a 12-year-old gymnast). "Revenge of the Fallen" isn't good; it's just expensive, and while Michael Bay can't tell the difference between those things, a reasonably intelligent person can."

Inner child? But if you think about it, you were an idiot back then. I'm not trying to bash you or anything, but take a look at back then, given what you know now, wouldn't you call yourself an idiot back then? Also when you talk about Optimus Prime's movements, you're not exactly talking about a giant robot that's piloted by smaller creatures, you're talking about a creature that can actually move like that because it's his body. That's like saying that an ant can't comprehend how that 12 year old gymnast can move the way they do. Also, what the hell? You don't talk about the story? And your lame excuse is "If Bay doesn't care, then why should I?" Well for one thing, it's your job, and if you don't care, then why are you better than him? Why are you berating him when you are just like him?

"And I haven't even begun to talk about the racist-caricature robots of "The Twins," who speak in thug slang and "aren't much for reading" and talk about getting "up in that ass," and one of whom has, I wish I were kidding, a gold tooth. Or about how when the film isn't drooling over Megan Fox's poreless, lifeless form and visage, it's busy calling women "bitches" and throwing around "pussy" as an insult. Or how Shia LaBeouf's "performance" has him spend half the film doing third-rate Danny Kaye tricks to depict mental freak-out and the other half running in slow motion yelling "Optimus!" If Bay wanted to make a big, epic science-fiction battle, he failed by adapting a toy and television series made for kids; if he wanted to make a family-friendly adventure, he failed by larding it with violence and sex and smutty "humor" and dog-humping sight gags. Transforming robots can be two very different things, through the miracle of special effects, but Bay's bloated blockbuster wants to flip between high-octane action and fizzy-fun kids stuff and winds up failing at both. If you tell me you loved "Revenge of the Fallen" -- really, truly, loved it without reservation or complaint -- then you've essentially told me you can't tell something from nothing, good from bad, craft from cost. The best thing about "Transformers: Revenge of the Fallen" is that it's perhaps the funniest movie of the year (Oh, look, Optimus Prime's fallen robo-corpse is being lain to rest at sunset, waaaah-wwwwwwanh, sad-trom-bone ...). The worst thing is that ticket-buying masses will shower stupid spectacle with success one more time because they don't want, need or expect anything better from big Hollywood."

So, you're calling this a racist movie when the "Twins" are more than likely African American voice actors, and I'll bet you didn't think the movie White Chicks was racist. One thing that can be used to counter this bit of criticism is that maybe they believe this is how they're supposed to talk with rap as popular as it is? And maybe you're supposed to get offended, and then think "Hey maybe we should try to better ourselves" and get over the offense. I mean, the whole problem you have with the words associating with women is that it is what people actually say? Again, maybe our culture should try to better itself, but with critics like you, that's not going to happen. And maybe you're no different from Michael Bay because you show the same disdain as he does to the audience.

"James Rocchi's writings on film have appeared at Cinematical.com, Netflix.com, SFGate.com and in Mother Jones magazine. He lives in Los Angeles, where every ending is a twist ending."

Hm, maybe there is a reason why you seem high and mighty, because of the editorials you write for.


The reason why this is a bad review isn't that he said that Transformers was a bad movie, or that he wasted his own time by making it a zero out of five stars, but because he took all the flaws, did not use examples from scenes, or elaborate on why he thought the story was bad. To be honest, I'm bookmarking this POS to show me what a bad review is, and why I should try not to make the same judgements as him without citing examples.

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